contact by e-mail Peter Villani
some of my works
I read Blogsfere
artist was born in Bari in 1947 where he lives and works. Abstract-expressionist
began to exhibit his early twenties. Eccentric and complicated personality, gives a personal interpretation of reality as shocking and ironic sucked into a space neurotic. In him there is a sense of laceration between fantasy and reality and the feeling for nature is evident in his work with signs and shapes. The art, according to Villani, is through a chain of inspiration and among other things "to do things is not difficult, it is hard to put himself in position to do so "(Brancusi). Painting is a way of life. It 's so that he is considering his form of art as a way of life, Villani is committed in its profession in a total absorbed as the devotee is absorbed by his divinity. Villani artist is a careful craftsman, has a taste for the job accurately, changes the course of color, lines, feelings, shapes, and emotion. His imagination is febrile, his work translates special inner dreams. His astonishing mazes for the messages and transmit the sensations they arouse. Villani takes us in a tangled forest of signs that give color and shape to his dreams, but that captivates, envelops the viewer. A staunch advocate of a philosophy of waiting and suffering of living "without pre-established programs." Peter Villani love to live in his studio producing and observing the metamorphosis of its signs and its colors. He produces to live with the work, with a force that hallucinates and goes where the imagination and bring the dream. His works sometimes, apparently without effect, reaching poetic visionary and magical and it is in those moments that we should meet him to understand and better understand what is in lui.Con changing its hue, violent and aggressive, Villani, however, wants to talk, speak, write, sing on the canvas their joys and sufferings, joys and sufferings of others. Then the story continues as long as he continues to live.
letter P. Wagher
Dear Piero, on the occasion of your show, further evidence of a long career takes me the nostalgia of bygone days never forgotten. Have you started that you were a little more than 'a boy and already' asks you with your painting "en plein air", a boy full of creative impulses, which suggested a painting by the strong emotions of color. We talked about art, new cultural ferment of rebellion, of trying to achieve. What a unique year! Were moments of life as well as art. We were very young, enthusiastic and curious about life in the evening when we met Margutta where it was difficult to "see" the last Masters and the then emerging young artists, now already 'known. Over the years I have made known to many, though not with great success that it deserves (which indeed you yourself have not chased, eclipses for several years). Yet, yours and 'a fundamental presence in the Italian art world these days. I am convinced and I'm sure it will convince many more as long as' you'll be on the scene. With love from Paul Wagher, Geneva, 20 0ttobre 2002
A text by Giuseppe Scaglione
about the "women Villani" - September 20, 1979 Giuseppe Scaglione
Villani That's certainly not 'an easy painting, not only the characteristic trait "non-figurative, and even for the peremptory intrusiveness with which it has his women on canvas, still puzzling data, but rather to co-exist in his art of dreamlike moments, almost legendary, along with romantic motifs, sometimes imbued with existential malaise that often torment sublime artist. Far from being limited by this dualism, Villani uses them with rare sensitivity ', using alternatively the two components in its play of colors, one as a medium of the other and vice versa, to merge them into a' troubled image only totemic, yielding here 'and' the temptation of the informal, but no 'to be involved. And the quest for unity 'seems pose in arcane gestures, as if in a magic ritual blends passion and detachment. It 'a dance, and his figures seem to free himself from the role that he himself, with resolute steps, set. Her women are not "a woman" but "woman" and the image becomes idea, beyond recall, beyond experience, beyond passion, beyond the anger. The forms of Piero Villanisembrano evolve along a line not unlike the anatomical analysis of gestural painting by Willem de Kooning, avoiding decidedly cubist spirit, and placing his work in the tradition of avant-garde expressionist painting giving the very unconscious. What 'Villani's attitude about the social? He does not say, neither emerges bully the picture as his obsessive female form. Perhaps it is in the spaces left behind his figures without scenario that you can 'take a feverish need for detachment, yearning for freedom', a subtle sense of melancholy that invites him to wear on the canvas (Giuseppe Scaglione)
shows
-1967-ROMA proletarian works outdoors - organized by: Marxist-Leninist group section of Rome - July
expo-1968-BARI machines on the revolutions organized by: China-Albania-Italy Association - Expo May-1969
present-Viareggio market shows all the artists of dissent - income donated to: Albania-Italy-China Association - Expo
May-1969 4-line graphic AREZZO center "young Italian artists' exhibition - June
expo-1969-LUCCA Castellaccio the 1st art exhibition -" new trends in Italian painting "- in September
expo-1969-IMOLA studio ace - group exhibition -" the sense of color "- expo in October
-1969-BARI-Italy-China Association albania graphic works and show signs lithography Printer work: robert bulla of Rome - November
expo-1969-BARI Italy-Russia association presentations and graphic works signs lithography printer of the work: robert bulla of Rome - November
expo-1970-NAPOLI red purple gallery group graphics - expo in January
SCAURI gallery-1970-ladder "image of artists" - group exhibition - exhibition of March
-1970-PERUGIA the little shop "short list" - group show - Expo otrtobre
-1971-Molfetta (BA) tunnel the meeting "contemporary Italian masters and young artists" - February
expo-1971-ROMA skack "art images" collective of contemporary painting and graphics - expo in September
- 1971 Cortona-art "new presence in Italian" - expo in October
-1972 - PALERMO nine columns "review of eight artists Southern - February
expo-1972-NUTS (ba) National Exhibition Golden nuts - May
expo-1972-LUMP Appulo (ba) ^ 2 national exhibition of art organized by: Association of Cultural Art lump Appula - September
expo-1973-BARI david gallery "contemporary masters" - collective organized by prof. leonardo de pinto - expo in January
-1973-BARI gallery arteuropa "contemporary Italian artists" - the April expo
-1973-BRINDISI mediterranean gallery exhibition - Expo September
-1974-BARI david gallery "of teachers' nineteenth and twentieth century "expo in February
-1974-BARI tennis club" expo for the 5th tournament interbank "- June
expo-1975-Ruvo di Puglia (BA) tunnel, the castle - group exhibition - exhibition of February
-1975-Mola di Bari (BA) per tourist office site martinelli gallery - group show - Expo-1975-March
LUMP Appulo (ba) assembly room "4th exhibition of ' art "- organized by: Associazione Culturale Art: grumum - May
expo-1975-BARI tennis club" expo for the 6th tournament interbank "- June
expo-1976-BRISIGHELLA - collective exhibition during the festival of 'units - May
expo-1979-LODI collective of graphic works to TorreLonga - September
expo-1979-BARI Sailing Club presentation graphics work, "meet at Christmas" - December expo
ROMA-1980-robert bulla printing graphic works - proofs - June
-1981-BARI publishing showcase Adriatica - September
expo-1982-BARI recreational Italian cultural association "performances" - expo in September
- 1982-ROMA polyhedron "collective of graphic and painting" - expo in October
-1983-CERIGNOLA Diros graphic "graphic works" - expo in September
-1983-BARI theater purgatory - November
expo-1984-CERIGNOLA lorenzo Tomacelli "graphic work" - exhibition by April
-1984-Ostia Lido great turkish coffee "graphics board" - expo May
Mariantonietta MILAN-1985-eagle "secrets of the soul" - expo September
-1986-BARI brothers Count - January
expo-1986-BARI theater purgatory - March
expo-1987-CAPRI Krupp impromptu "magic island" - expo May
-1987 - BOLOGNA cultural center hanoi "four artists of dissent" - expo in October
-1991-MONOPOLY LaMantia-chapter "villains and villains" - the July expo
-1991-MONACO MUNICH Hans Dossel "graphic to the Italian festival in October" - October
expo-1994-SAN Casciano Hare Krishna group party on Sunday: "Art and sankirtan - May
expo-1998-BARI channel 100 graphic works - February
expo-1998-VISERBELLA RIMINI el greek "For a blue paint" - Expo-2000-June
RIONERO IN VULTURE space art exhibition of painting, ceramics, sculpture and poetry at the court of King Aglianico wine "Third Edition - With the sponsorship of the culture of the City Rionero in Vulture - APT Basilicata - Garden Palace Fortunato G. 29 July to 9 August 2000 - expo in July / August
CONVERSANO studio-2000-5 "by chance in Conversano" Villani-Abbrescia-Bressan-Grandolfo - July 29 to August 20, 2000 presentation: Antonio Lorusso, Journalist Telenorba - expo in July / August
-2002-Turi (Ba) Gallery Under the Stars "fourth edition" 16 to 19 August 2002 sponsored by: President of the Provincial Council and the Municipality of Bari Turi - expo in August
-2003-BARI Expoarte 8-12 di March 2003 - March
expo-2003-Santeramo in Colle (Ba) of Albe pietra5 "Summer Noon in the shadow of the God Pan" Exhibition of the Apulian painters: bible , Edwards, Gallo Maresca, Laurell, tony prayer, Sandulli, piero villains - Organization: Association of Journalists and A. Cultural Kaleidoscope - Legal: Comunità Montana Murgia Barese South East - 21 November 2003 - November
expo-2005-BARI Kief book-sponsored by the City of Bari cafe'-9-17 April 2005-36 of exhibition Expolevante Bari - Group Exhibition - expo in April
Solo Exhibitions
-1970-BARI david gallery, exhibition organization: leonardo de pinto - February
expo-1970-NAPOLI gallery purple red - solo exhibition - May
expo-1970-BARI modigliani gallery, solo exhibition - organized : mario Piergiovanni - December
expo-1971-BARI david gallery - exhibition - Organization: leonardo de pinto - February
expo-1972-ROMA skack "alternative present" - solo exhibition - Organisation: The Centaur - expo April
-1973-BARI david gallery - exhibition - Organization: leonardo de pinto - expo in January
COSENZA gallery-1973-1998 - solo exhibition - presentation in the catalog: giuseppe Leonetti Micera - March
expo-1975-BARI david gallery exhibition - Organization: leonardo de pinto - September
expo-1976-BARI headquarters unicef, solo exhibition of recent works in collages - expo in November
-1977 the gull-BARI Gallery - solo exhibition - March
expo-1978-BARI expo white - solo exhibition - Organization: nino Lamacchia - expo in April 1978-LONDON-
gallery max "intentions / informal" - solo exhibition - Expo September
-1979-BARI gallery of the cellar cellar club - solo exhibition - Organization: aurelio Ciccolella - The Cellar Gallery in collaboration with: club Annabella - Bari - President: rosaria scivittaro - expo in December
-1981-BARI showcase Adriatica Publishing - solo exhibition - EXPO February
-1981-BARI cultural center Annabella organization: Rosaria Scivittaro - solo exhibition - exhibition by April
-1982-BARI ARCI Recreational Italian Cultural Association "performances" - solo exhibition - exhibition by April
-1982-polyhedron ROME - "expoperl'arte" - solo exhibition - Organization: Susan Schifano - October
expo-1983-CERIGNOLA Diros graphic "graphic works" - the organization: Tomacelli and Lorenzo Antonio - solo exhibition - Expo in January
-1983-BARI theater purgatory organization: Emilio Laricchia - solo exhibition - March
expo-1984-CERIGNOLA lorenzo Tomacelli - graphic works - solo exhibition - June
expo-1984 big-Ostia Lido caffe'del turkish "graphics board" - solo exhibition - Expo August
Mariantonietta MILAN-1985-eagle, "secrets of 'soul' - solo exhibition - Expo December
-1986-BARI brothers Earl - Organization: Victor Conte - solo exhibition - Expo September
-1986-BARI theater purgatory - solo exhibition - Expo December
-1994 - MONOPOLY LaMantia-chapter "villains and villains" exhibition - Expo September
-1995-MARTINA FRANCA Mastrovito terms "contemporary art tempera and oils piero villains" - solo exhibition - Expo March
Bari Bari-1996-100 channel organization: Emilio Laricchia - solo exhibition - May
expo-1998-BARI channel 100, the organization: Emilio Laricchia - graphic works - solo exhibition - EXPO February
-1998-DI RIMINI VISERBELLA el greek "for a blue paint" - solo exhibition - Expo-2000-September
CONVERSANO St. Benedict Monastery, the town of talking - Department for Cultural Policy - solo show - September 30 to October 15 2000 - exhibition in September / October
- 2000-CONVERSANO Studio 5 - solo exhibition - Expo December
-2001-BARI Expoarte XXII edition, 8-12 March - Presentation: Cultural Center Studio 5 - Organization: Donato Pace pad.9 - stand 148 - space Staff - March
expo-2002-MONOPOLY vineyard Sea - Organization: Luciano Lombardi - solo exhibition - Expo-2002-February
CONVERSANO study 5 Organization: Donato Peace - solo exhibition - exhibition by April
-2002 Gallery-ALBEROBELLO Carignani, "tangles" from November 30 to December 8, 2002 - Legal: City of Alberobello - UNESCO Club - Alberobello - solo exhibition - Expo November
Electric notes blood
Electric notes of blood during a day of absolutely simple ordinary follia.Testo Telemachus Pepe (Luke Comanducci)
The echo of a narrow passage in a small seaside village at the end of the last century, Brighton lit in many colors, waiting to sink into the past and awaken the dawn of the new millennium ... run after steep, narrow streets of the market, stands mute themselves together resting on my eyes, a breath of cold wind and then again shine lights and merchants, jugglers and storyteller, nomads and mercantieri, no dispute, no voice above the lines, I am here, simply an accomplice of a glimpse of ordinary existence ... and acrid odor, unsettling issued by huge bunches of flowers beside the Abbey of Saint-Ashbury, so 'sharp and exhausting in its visual harmony and beauty ... I wish that all this was transformed into a huge, dazzling beauty of impressionist painting from the mawkish, I continue my irregular way, hand in hand with my wandering, vacuous thoughts of mad anarchist innocent slave to himself, removed from the madness . Now, a brief snippet of time: a stupid neurotic frenzy of crying in front of the mirror, scratched from the madness of the old woman "martyr" killed by the thousand loves mowed, buried and covered by the disillusionment of regret, that body by the unspoilt beauty crisscrossed by the scars of jealousy, over high heat, imperious, destructive, brutal symbol of gluttonous greed and nihilism. Dirty, unpleasant dissonant notes of a lament-Blues guitar cry of ancient memory, pinch, throw darts harrowing, writhe, get lost and find themselves without anyone noticing, while a young virgin in the forest of sin is attacked by a maniac on the threshold of " dangerous edge. " The solos are insane guitar-hero overthrown sull'intontito, reeling and ecstatic audience, with the same, slaughtering capacity of knife blades are "direct" with unexpected cut in the directing body of a young naked girl. She begins to scream, but no one hears, while the guitar spews his dissent screaming a shrill, uncontrollable suffering rape ... on stage! And rape at the foot of an oak-stained hours acid blood. The blade continues to penetrate the skin of an innocent flower just bloomed ... and now immediately wilted, dying, the red-gold hair that hangs on the roots of the tree, involuntary witness to the tears choked broken in seconds by the indifference of an glacial man who has ever dared to love but he has always known, with the same skill ', crush the feelings of others. Ice Age, as the blade sank into the veins of the young victim, the blood seems to mingle with dilapidated compact horror to the wires of grass lit by the sun filters, creating a new, disturbing contrast between two antithetical visions. The concert and 'ends, and each instrument' was sacrificed in the name of the show; the public largely fed and now overflowing LISERGIA not yet fully diluted, it launches into its own gods to worship, and soon the sweat mixes with the tumult of the noisy crowd unable to find an outlet for the exit. Panico. The shards of guitar raped cynical, perpetually scratched with a pick, steel lies reduced to smithereens on the stage, dead, forgotten, and soon replaced. Nothing else will remain 'a soft, dim light to illuminate a time, weeping, the last patched string clearly visible, so' damn curled up on itself, before it comes a ghostly, suffocating, raccappricciante, unpublished, final darkness'. Telemachus Pepe
Telemachus
thank Pepe (Luke Comanducci) for having allowed to publish on this website the "power notes of blood" which I think will work beautifully accompany "Brighton n.0007" which I composed in Brighton (UK) starts with the 2004. Peter Villani
Brighton
my love,
Brighton is one of the most frequented by the British tourist and his colors are bellissimi.L 'visual impact that can be enjoyed from the docks is great, and huge seagulls flying and landing everywhere in search of food . Many fishermen populate the line lungomare.Il Brighton Pier is a pier full of fun, where they were built on top of a roller coaster, games of all kinds and a skating go-kart. From Brighton Pier you can enjoy a wonderful view across the coastal part of the city and the colors enchant unlikely ... The Pavilion is the most famous monument of this city with its oriental style garden and very well maintained (and here you see colors , colors, colors ....) At sunset reflections pale yellow color magically the facade of the Pavillon. Even against the seagull is always !.....
Hymn to the loneliness
Hymn to the loneliness, while spending the night bohemian, turned on itself, exhausted, dirty, crumpled, in a dark corner, alone and without breath. Text of Telemachus Pepe (Luke Comanducci).
The rain beating on the dark corners and dirty Irish pub next to the last banner, shirt rumpled and filthy, "reduce" from countless sleepless nights, thoughts drum-pounding, obsessive-compulsive gothic give a rhythm to the nth, incomprehensible night macabre distorted by illusions, a glimpse of darkness forever lived on the edge of an abyss stuck on my back, until you do even more 'dark, sadistic clouds enveloped the sky, which take the form of wild eyes and gnashing teeth, clear sound My troubles are among the demons and angels, angels and demons, night damn, yet another bloody night, enters the room and no one greets you, you sit down and nobody comes to ask for orders, you lie down, completely exhausted, provocatively on the table once the "theater" of heated, lively and meaningful discussions with my dear friends that time it was. Each one gives love to another, and I misunderstood cowardly sneak pimp myself on segregated quell'olezzoso piece of wood, still stinking of beer hated, no one comes to clean and to clean up, no one feels the need of your presence, unacceptable, waste of a night like many others, greeting a sweet, irresistible nymphet but she, to my amazement, he runs away and leaves me dumbfounded with the brain, slightly petrified though still under control. Seeking faces m'incuneo looks in that at least show me a shred of what the right path in order to conclude with dignity 'and pride overnight legitimate daughter of whores and gamblers, rapes and very hot kiss followed by a violent, hot sex, until just before forbidden. Stravarico arms and legs, in a pathetic attempt to arouse a glimmer of note at the bottom are just a shadow of a memory of the evening led to sail towed protruding from laughter, and punctuated by sarcasm, sharp comments from bohemian often lying down on unnecessary psychedelic trappings of illegitimate fathers exaggerated, skinned dreams infused with acid, pompous theatricality, 'theatricality' Primadonna of selling his prized golden dreams to misunderstand or in pairs through an identity crisis', ready to reconcile in the sense of me-too unknown in life. E 'come, finally, the highly anticipated, the point at the OK Corral, it requires my most' total shocking disregard for those who have not been able to give me that much discomfort and, indifferently, are killed minute by minute, I feel redeemed barely, coveted crying hall of torment. Obliabile, this time of life, ill-managed, poorly appreciated, ill loved one, the dark side of my psyche and 'slipped, and cunning bastard, withering allegory on which my weak, vulnerabilissimo ego he used to lean on ... ... ... The delusions of persecution of an isolated, repressed, boycotted individual whose only activity 'lies in drag, scontatamente, pathetically in a sea of \u200b\u200birresolution, ego hours crushed by a total lack of respect, plant anarchist turned on itself and its seemingly intractable, irreversible and caustic dilemmas. Comments, and my liver will open in a smile of derision flamboyant resentment ready to vomit on the first pass, a pair of happy lovers exchanging an endless kiss of reconciliation, and myself, sick and perverse, with peers and subtly evil investigate glacial their legitimate work. I do not care if this' was all that and instead never 'been, and probably never will', the only assessed value, the common denominator of this perpetual night decadence and 'a general, oblique cancellation of any single sensation, gutting a sensitivity' capable of extinction, sooner or later, to make way and glory to God Sovereign cynicism. Saturday black, black soul, in the diabolical suggestion to cross a dark street, respecting a tight script for Grand Guignol cinematography, chiaroscuro so scathing in those 'ambiguous, so' twisted wildly, expressively inexpressive. And as everyone returns home happy and satisfied of their working day, welcomed the presence of the irreplaceable ever faithful wife, I vanishes, quietly, without even ringing the floor, safe, once more ', he had celebrated my imponderable, absolute, inconvertible, impenetrable solitude. You are really my Goddess ... ... ....
NOTE: This text is www.neteditor.it deposited and then covered by copyright. It may not be reproduced in whole or in part without the consent of the author.
ADDITIONAL NOTE: Courtesy and permission to publish on this site Telemachus Pepe (Luke Comanducci)
